wire ... metal ... fibre .... unique handcrafted jewelry and accessories for men and women

Tuesday, May 31, 2011

string theory

chaos and string theory
painted cotton yarn

The last few weeks of creative block have been um ... interesting. Usually I can kick start the process with some old standards or by working in a different medium, but this dry spell has been all-encompassing :(

Last weekend I felt inspiration creeping back. I converted some of my very boring yarn stash into less boring, less white versions of the same by handpainting some hanks. Lack of skill, technique, equipment and so on was no obstacle but the resulting knotted string soup hammered home the 'thou shalt tie thy hanks securely' message.

It also reminded me that I knew nothing about string theory.

For the uninitiated and the curious, string theory is a concept in physics which explains why you cannot walk through walls à la Men Who Stare At Goats. It has its own website and vocabulary (confusing vocabulary) and threatens to expose the great meaning of everything.

According to string theory, electrons and other subatomic particles aren't discrete zero dimensional objects. It ascribes physical characteristics to the paths they follow, rendering them as strings (or branes, a sort of membrane). These have characteristics, which alter the perspective of the viewer, and thus underlie the theory that one string could be seen as different subatomic particles depending on its oscillation or tension at that moment. The size of the string varies and is dependant on the tension it is under. You will no doubt be relieved that, although it can approach unity, a string will not become a single point as this would confound the Heisenberg Uncertainty Principle (or would it?).

In traditional particle physics this principle could theoretically be applied to almost describe a theoretical situation in which electrons and the spaces between them in two discrete masses were aligned thus allowing solid A to move through solid B. String theory explains why all you will get if you try to walk through walls is a bloody nose (unlike the X Files). Though not scientifically proven, lying in the la la land of the scientific mind that is theoretical physics (theoretical by virtue of there not being enough engineering on earth to build a research facility with sufficient frictionlessness and vacuum to test out even the most basic of models), string theory does however suggest that somewhere out there in academia, someone is feeding hash brownies to particle physicists. CERN is in fact a huge bakery and hydroponics lab. I won't even mention the God particle or the 6th, 7th and 8th dimensions.

But that's not what you're here for! Hanks of Cottonease were handpainted with dilute acrylic solutions after pre-washing in a 1:3 vinegar solution. Fibres were heat set for approximately 3 minutes on full in the microwave before tumble drying, then rinsed thoroughly to remove unconjugated dye particles. The colour is very much paler than the initial paint session. My technique needs a little tweaking, or maybe the fibre doesn't obey the elementary rules of string theory in the first place. Anyway, they'll make a nice scarf.

chaos and string theory

Monday, May 30, 2011

a journey through homesickness

treevolution: i am home
treevolution: "i shall live here" - brooch (nickel silver, sea glass, felted fibre, copper wire)

Today I dismantle the "home is where the heart is" exhibition at Port Moody Arts Centre. This was my first solo exhibition and I'm really pleased that a. it was in my home town, and b. I shared the space with Tanis's incredible work. It really has been an exciting period in my (new) career. As a friend pointed out, I am now a mixed media artist!


The theme was completely up to me. This caused some initial head scratching. After a lot of sketching, scribbling, pondering and despair I plumped on the totally obvious idea of exploring the concept of homesickness through wearable art (!) which isn't quite as obscure as it sounds.


When I first started making jewelry I wired up chunks of seaglass from my childhood beach back in Scotland. In the first throes of homesickness, it was a great way to carry some of the memory around with me in my new homeland. The treevolution brooches and the 'embrace' series developed this theme. The little metal tree brooches, which first evolved for the 'Roots" exhibition, 'grew' from chunks of this same sea glass as their branches blossomed.

In the final weeks of prepping for exhibition my homesickness peaked - every piece I touched brought home to me how much I missed family, the village I grew up in, friends, and reminded me how isolated life as a trailing expat spouse can be. Then I settled down to work on my last treevolution brooch; instead of scottish seaglass I rooted the trunk over a piece collected on the Sunshine Coast. Instead of wiring the brooch pin, I rivetted it in place. The original 'heimweh' tree has a tiny glass heart nestling in the foliage. For the new one I added tiny copper wire maple leaves to the branch tips. Tanis's work on the walls of the Plum gallery was originally titled "we shall live here" which explored the concept of house, home and where to live. My new tree became "i shall live here" to show commitment to and peace in my new home.

After all, ten years is enough time to settle in.

Saturday, May 28, 2011

little house 'embrace' brooches

little house brooch
brass house brooch with sea glass
the "home is where the heart is" exhibition closes tomorrow evening

The series of little house brooches are part of the 'embrace' collection within "home is where the heart is".
Each of the metalwork houses hold a tiny shard of beach glass as a window. The windows are formed from a modified claw setting made by raising 'claws' from the sheet metal of the brooch body. The two holes above the sea glass are for the rivets which hold the brooch back in place.


There's a neat tutorial here for a more traditional claw setting for a regular gemstone cut.

Friday, May 27, 2011

the 'treevolution' brooch series


four seasons 'treevolution' brooches
These mixed media brooches sum up my conflicted feelings about making a new life as an immigrant in Canada, while being so far away from the land of my birth, family and friends.
The roots of the homesickness (heimweh) tree grow around a chunk of Scottish sea glass from my childhood beach.
The “i shall live here” tree has its root stock embedded around
Sunshine Coast sea glass and tiny copper maple leaves flourish on the branches.

'treevolution' heimweh tree brooch

Thursday, May 26, 2011

sea glass and faux pearls necklace



wired sea glass with vintage faux pearls
This was the first: my attempt to wire the sea glass from my childhood beach and make it portable.  These little chunks of washed glass were gathered on my ‘final’ trip back ‘home’ to sell our London maisonette and embark on Canadian residency and property ownership.
It seemed significant – we were cutting ties and making a new life. Suddenly, after four years of playing at emigration, our relocation to
Canada was permanent.
Homesickness kicked in.


Tuesday, May 24, 2011

copper mermaid necklace and earrings


yes, i always look this glam

My father’s mother was a redhead so naturally I inherited a lot of her jewellery. She had a fondness for yellow, warm reds, amber and citrine. The vintage yellow glass beads in this set are from an amazing multi-strand necklace of hers, incorporated into new heirlooms with a modern slant.

Monday, May 23, 2011

chainmaille charms, new from old


charm bracelet

Cast-off and out-of-fashion jewellery make great additions to a simple chainmaille byzantine weave bracelet. Each charm has a story to tell – old coins from a great uncle, luckenbooth charms from an aunt, found beads, broken earrings, … history.
 
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